The Help by Kathryn Stockett Trade Paperback, 464 pages $15.00 USD ISBN: 9780425232200 For an unprecedented third year in a row, The Help by Kathryn Stockett won the #1 position among book groups! "People couldn't wait for a turn to talk," said one group member. "So many topics and cultures to discuss and so historical too," said another. Members of many groups had personal experiences that related to the events in the book - "We all remember the Civil Rights movement, and all had different stories regarding life in the 60's," was a theme we heard over and over.  SUMMARY  Be prepared to meet three unforgettable women: Twenty-two-year-old Skeeter has just returned home after graduating from Ole Miss. She may have a degree, but it is 1962, Mississippi, and her mother will not be happy till Skeeter has a ring on her finger. Skeeter would normally find solace with her beloved maid Constantine, the woman who raised her, but Constantine has disappeared and no one will tell Skeeter where she has gone. Aibileen is a black maid, a wise, regal woman raising her seventeenth white child. Something has shifted inside her after the loss of her own son, who died while his bosses looked the other way. She is devoted to the little girl she looks after, though she knows both their hearts may be broken. Minny, Aibileen's best friend, is short, fat, and perhaps the sassiest woman in Mississippi. She can cook like nobody's business, but she can't mind her tongue, so she's lost yet another job. Minny finally finds a position working for someone too new to town to know her reputation. But her new boss has secrets of her own. Seemingly as different from one another as can be, these women will nonetheless come together for a clandestine project that will put them all at risk. And why? Because they are suffocating within the lines that define their town and their times. And sometimes lines are made to be crossed. In pitch-perfect voices, Kathryn Stockett creates three extraordinary women whose determination to start a movement of their own forever changes a town, and the way women—mothers, daughters, caregivers, friends—view one another. A deeply moving novel filled with poignancy, humor, and hope, The Help is a timeless and universal story about the lines we abide by, and the ones we don't. CONVERSATION STARTERS Who was your favorite character? Why? What do you think motivated Hilly? On one hand she's so unpleasant to Aibileen and her own help, as well as to Skeeter once she realizes she can't control her. But she's a wonderful mother. Do you think you can be a good mother but at the same time a deeply flawed person? Like Hilly, Skeeter's mother is a prime example of someone deeply flawed yet somewhat sympathetic. She seems to care for Skeeter — and she also seems to have very real feelings for Constantine. Yet the ultimatum she gives to Constantine is untenable. And most of her interaction with Skeeter is critical. Do you think Skeeter's mother is a sympathetic or unsympathetic character? Why? How much of a person's character do you think is shaped by the times in which they live? Did it bother you that Skeeter is willing to overlook so many of Stuart's faults so that she can get married, and it's not until he literally gets up and walks away that the engagement falls apart? Do you think Minny was justified in her distrust of white people? Do you think that had Aibileen stayed working for Miss Elizabeth, that Mae Mobley would have grown up to be racist like her mother? Do you think racism is inherent, or taught? From the perspective of a 21st century reader, the hair shellac system that Skeeter undergoes seems ludicrous. Yet women still alter their looks in rather peculiar ways as the definition of "beauty" changes with the times. Looking back on your past, what's the most ridiculous beauty regimen you ever underwent? The author manages to paint Aibileen with a quiet grace and an aura of wisdom about her. How do you think she does this? Do you think there are still vestiges of racism in relationships where people of color work for people who are white? Have you heard stories of someone who put away their valuable jewelry before their nanny comes — so they trust this person to look after their child, but not their diamond rings? What did you think about Minny's pie for Miss Hilly? Would you have gone as far as Minny did for revenge?	Cutting for Stone by Abraham Verghese Trade Paperback, 688 pages $15.95 USD ISBN: 978-0-375-71436-8 Cutting for Stone by Abraham Verghese rounded out the #2 spot for a second year in a row. The book created lots of lively discussions, because it "was set in a different culture", had "characters people identified strongly with" and "moral values and decisions [that] shaped the characters actions." According to one book group member, the book "covered so many topics: love, family, history, medicine, loss, politics, religion, renewal - very rich and moving. Exotic location too."  SUMMARY  A sweeping, emotionally riveting first novel—an enthralling family saga of Africa and America, doctors and patients, exile and home. Marion and Shiva Stone are twin brothers born of a secret union between a beautiful Indian nun and a brash British surgeon at a mission hospital in Addis Ababa. Orphaned by their mother's death in childbirth and their father's disappearance, bound together by a preternatural connection and a shared fascination with medicine, the twins come of age as Ethiopia hovers on the brink of revolution. Yet it will be love, not politics—their passion for the same woman—that will tear them apart and force Marion, fresh out of medical school, to flee his homeland. He makes his way to America, finding refuge in his work as an intern at an underfunded, overcrowded New York City hospital. When the past catches up to him—nearly destroying him—Marion must entrust his life to the two men he thought he trusted least in the world: the surgeon father who abandoned him and the brother who betrayed him. An unforgettable journey into one man's remarkable life, and an epic story about the power, intimacy, and curious beauty of the work of healing others.   CONVERSATION STARTERS Abraham Verghese has said that his ambition in writing Cutting for Stone was to "tell a great story, an old-fashioned, truth-telling story." In what ways is Cutting for Stone an old-fashioned story-and what does it share with the great novels of the nineteenth century? What essential human truths does it convey? What does Cutting for Stone reveal about the emotional lives of doctors? Contrast the attitudes of Hema, Ghosh, Marion, Shiva, and Thomas Stone toward their work. What draws each of them to the practice of medicine? How are they affected, emotionally and otherwise, by the work they do? Marion observes that in Ethiopia, patients assume that all illnesses are fatal and that death is expected, but in America, news of having a fatal illness "always seemed to come as a surprise, as if we took it for granted that we were immortal" (p. 396). What other important differences does Cutting for Stone reveal about the way illness is viewed and treated in Ethiopia and in the United States? To what extent are these differences reflected in the split between poor hospitals, like the one in the Bronx where Marion works, and rich hospitals like the one in Boston where his father works? In the novel, Thomas Stone asks, "What treatment in an emergency is administered by ear?" The correct answer is "Words of comfort." How does this moment encapsulate the book's surprising take on medicine? Have your experiences with doctors and hospitals held this to be true? Why or why not? What does Cutting for Stone tell us about the roles of compassion, faith, and hope in medicine? There are a number of dramatic scenes on operating tables in Cutting for Stone: the twins' births, Thomas Stone amputating his own finger, Ghosh untwisting Colonel Mebratu's volvulus, the liver transplant, etc. How does Verghese use medical detail to create tension and surprise? What do his depictions of dramatic surgeries share with film and television hospital dramas-and yet how are they different? Marion suffers a series of painful betrayals-by his father, by Shiva, and by Genet. To what degree is he able, by the end of the novel, to forgive them? To what extent does the story of Thomas Stone's childhood soften Marion's judgment of him? How does Thomas's suffering as a child, the illness of his parents, and his own illness help to explain why he abandons Shiva and Marion at their birth? How should Thomas finally be judged? In what important ways does Marion come to resemble his father, although he grows up without him? How does Marion grow and change over the course of the novel? A passionate, unique love affair sets Cutting for Stone in motion, and yet this romance remains a mystery-even to the key players-until the very conclusion of the novel. How does the relationship between Sister Mary Joseph Praise and Thomas Stone affect the lives of Shiva and Marion, Hema and Ghosh, Matron and everyone else at Missing? What do you think Verghese is trying to say about the nature of love and loss? What do Hema, Matron, Rosina, Sister Mary Joseph Praise, Genet, and Tsige-as well as the many women who come to Missing seeking medical treatment-reveal about what life is like for women in Ethiopia? Addis Ababa is at once a cosmopolitan city thrumming with life and the center of a dictatorship rife with conflict. How do the influences of Ethiopia's various rulers-England, Italy, Emperor Selassie-reveal themselves in day-to-day life? How does growing up there affect Marion's and Shiva's worldviews? As Ghosh nears death, Marion comments that the man who raised him had no worries or regrets, that "there was no restitution he needed to make, no moment he failed to seize" (p. 346). What is the key to Ghosh's contentment? What makes him such a good father, doctor, and teacher? What wisdom does he impart to Marion? Although it's also a play on the surname of the characters, the title Cutting for Stone comes from a line in the Hippocratic Oath: "I will not cut for stone, even for patients in whom the disease is manifest; I will leave this operation to be performed by practitioners, specialists in this art." Verghese has said that this line comes from ancient times, when bladder stones were epidemic and painful: "There were itinerant stone cutters-lithologists-who could cut into either the bladder or the perineum and get the stone out, but because they cleaned the knife by wiping their blood-stiffened surgical aprons, patients usually died of infection the next day." How does this line resonate for the doctors in the novel? Almost all of the characters in Cutting for Stone are living in some sort of exile, self-imposed or forced, from their home country-Hema and Ghosh from India, Marion from Ethiopia, Thomas from India and then Ethiopia. Verghese is of Indian descent but was born and raised in Ethiopia, went to medical school in India, and has lived and worked in the United States for many years. What do you think this novel says about exile and the immigrant experience? How does exile change these characters, and what do they find themselves missing the most about home?	The Immortal Life of Henrietta Lacks by Rebecca Skloot   Trade Paperback, 400 pages $16.00 USD ISBN: 9781400052189   Jumping from the #8 spot last year to #3 this year was The Immortal Life of Henrietta Lacks by Rebecca Skloot. One book group member summed it up as follows: "There was something about Henrietta's life that called out to every person in the group, whether it pertained to the medical aspects or the racial unfairness or the family dynamics - all that had to do with Henrietta seemed to speak to the many people (we had 14; we usually have 6) who participated that day."  SUMMARY Her name was Henrietta Lacks, but scientists know her as HeLa. She was a poor black tobacco farmer whose cells—taken without her knowledge in 1951—became one of the most important tools in medicine, vital for developing the polio vaccine, cloning, gene mapping, in vitro fertilization, and more. Henrietta's cells have been bought and sold by the billions, yet she remains virtually unknown, and her family can't afford health insurance. Soon to be made into an HBO movie by Oprah Winfrey and Alan Ball, this New York Times bestseller takes readers on an extraordinary journey, from the "colored" ward of Johns Hopkins Hospital in the 1950s to stark white laboratories with freezers filled with HeLa cells, from Henrietta's small, dying hometown of Clover, Virginia, to East Baltimore today, where her children and grandchildren live and struggle with the legacy of her cells. The Immortal Life of Henrietta Lacks tells a riveting story of the collision between ethics, race, and medicine; of scientific discovery and faith healing; and of a daughter consumed with questions about the mother she never knew. It's a story inextricably connected to the dark history of experimentation on African Americans, the birth of bioethics, and the legal battles over whether we control the stuff we're made of. CONVERSATION STARTERS On page xiii, Rebecca Skloot states, "This is a work of nonfiction. No names have been changed, no characters invented, no events fabricated." Consider the process Skloot went through to verify dialogue, re-create scenes, and establish facts. Imagine trying to re-create scenes such as when Henrietta discovered her tumor (page 15). What does Skloot say on pages xiii–xiv and in the notes section (page 346) about how she did this? One of Henrietta’s relatives said to Skloot, "If you pretty up how people spoke and change the things they said, that’s dishonest" (page xiii). Throughout, Skloot is true to the dialect in which people spoke to her: The Lackses speak in a heavy Southern accent, and Lengauer and Hsu speak as nonnative English speakers. What impact did the decision to maintain speech authenticity have on the story? As much as this book is about Henrietta Lacks, it is also about Deborah learning of the mother she barely knew, while also finding out the truth about her sister, Elsie. Imagine discovering similar information about one of your family members. How would you react? What questions would you ask? In a review for the New York Times, Dwight Garner writes, “Ms. Skloot is a memorable character herself. She never intrudes on the narrative, but she takes us along with her on her reporting.” How would the story have been different if she had not been a part of it? What do you think would have happened to scenes like the faith healing on page 289? Are there other scenes you can think of where her presence made a difference? Why do you think she decided to include herself in the story? Deborah shares her mother’s medical records with Skloot but is adamant that she not copy everything. On page 284 Deborah says, "Everybody in the world got her cells, only thing we got of our mother is just them records and her Bible." Discuss the deeper meaning behind this statement. Think not only of her words, but also of the physical reaction she was having to delving into her mother’s and sister’s medical histories. If you were in Deborah’s situation, how would you react to someone wanting to look into your mother’s medical records? This is a story with many layers. Though it’s not told chronologically, it is divided into three sections. Discuss the significance of the titles given to each part: Life, Death, and Immortality. How would the story have been different if it were told chronologically? As a journalist, Skloot is careful to present the encounter between the Lacks family and the world of medicine without taking sides. Since readers bring their own experiences and opinions to the text, some may feel she took the scientists’ side, while others may feel she took the family’s side.What are your feelings about this? Does your opinion fall on one side or the other, or somewhere in the middle, and why? Henrietta signed a consent form that said, "I hereby give consent to the staff of The Johns Hopkins Hospital to perform any operative procedures and under any anaesthetic either local or general that they may deem necessary in the proper surgical care and treatment of: ________" (page 31). Based on this statement, do you believe TeLinde and Gey had the right to obtain a sample from her cervix to use in their research? What information would they have had to give her for Henrietta to have given informed consent? Do you think Henrietta would have given explicit consent to have a tissue sample used in medical research if she had been given all the information? Do you always thoroughly read consent forms before signing them? In 1976, when Mike Rogers’ Rolling Stone article was printed, many viewed it as a story about race (see page 197 for reference). How do you think public interpretation might have been different if the piece had been published at the time of Henrietta’s death in 1951? How is this different from the way her story is being interpreted today? How do you think Henrietta’s experiences with the medical system would have been different had she been a white woman? What about Elsie’s fate? Consider Deborah’s comment on page 276: "Like I’m always telling my brothers, if you gonna go into history, you can’t do it with a hate attitude. You got to remember, times was different." Is it possible to approach history from an objective point of view? If so, how and why is this important, especially in the context of Henrietta’s story? Deborah says, "But I always have thought it was strange, if our mother cells done so much for medicine, how come her family can’t afford to see no doctors? Don’t make no sense" (page 9). Should the family be financially compensated for the HeLa cells? If so, who do you believe that money should come from? Do you feel the Lackses deserve health insurance even though they can’t afford it? How would you respond if you were in their situation? Dr. McKusick directed Susan Hsu to contact Henrietta’s children for blood samples to further HeLa research; neither McKusick nor Hsu tried to get informed consent for this research. Discuss whether or not you feel this request was ethical. Further, think about John Moore and the patent that had been filed without his consent on his cells called "Mo" (page 201). How do you feel about the Supreme Court of California ruling that states when tissues are removed from your body, with or without your consent, any claim you might have had to owning them vanishes? Religious faith and scientific understanding, while often at odds with each other, play important roles in the lives of the Lacks family. How does religious faith help frame the Lackses’ response to and interpretation of the scientific information they receive about HeLa? How does Skloot’s attitude toward religious faith and science evolve as a result of her relationship with the Lackses? On page 261, Deborah and Zakariyya visit Lengauer’s lab and see the cells for the first time. How is their interaction with Lengauer different from the previous interactions the family had with representatives of Johns Hopkins? Why do you think it is so different? What does the way Deborah and Zakariyya interact with their mother’s cells tell you about their feelings for her? Reflect upon Henrietta’s life: What challenges did she and her family face? What do you think their greatest strengths were? Consider the progression of Henrietta’s cancer in the last eight months between her diagnosis and death. How did she face death? What do you think that says about the type of person she was?
Room by Emma Donoghue   Trade Paperback, 352 pages $7.99 USD ISBN: 9780316098328     SUMMARY To five-year-old Jack, Room is the entire world. It is where he was born and grew up; it's where he lives with his Ma as they learn and read and eat and sleep and play. At night, his Ma shuts him safely in the wardrobe, where he is meant to be asleep when Old Nick visits. Room is home to Jack, but to Ma, it is the prison where Old Nick has held her captive for seven years. Through determination, ingenuity, and fierce motherly love, Ma has created a life for Jack. But she knows it's not enough...not for her or for him. She devises a bold escape plan, one that relies on her young son's bravery and a lot of luck. What she does not realize is just how unprepared she is for the plan to actually work. Told entirely in the language of the energetic, pragmatic five-year-old Jack, Room is a celebration of resilience and the limitless bond between parent and child, a brilliantly executed novel about what it means to journey from one world to another. CONVERSATION STARTERS Why do you think the entire book is told in Jack’s voice? Do you think it is effective?  What are some of the ways in which Jack’s development has been stunted by growing up in Room? How has he benefited?  If you were Ma, what would you miss most about the outside world?  What would you do differently if you were Jack’s parent? Would you tell Jack about the outside world from the start?  If Ma had never given birth to Jack, what would her situation in Room be like?  What would you ask for, for Sundaytreat, if you were Jack? If you were Ma?  Describe the dynamic between Old Nick and Ma. Why does the author choose not to tell us Old Nick’s story?  What does joining the outside world do to Jack? To Ma?  What role do you think the media play in the novel?  In a similar situation, how would you teach a child the difference between the real world and what they watch on television?  Why are we so fascinated by stories of long-term confinement?  What were you most affected by in the novel?	MAJOR PETTIGREW'S LAST STAND by Helen Simonson Trade Paperback, 384 pages $15.00 USD ISBN: 978-0812981223 SUMMARY You are about to travel to Edgecombe St. Mary, a small village in the English countryside filled with rolling hills, thatched cottages, and a cast of characters both hilariously original and as familiar as the members of your own family. Among them is Major Ernest Pettigrew (retired), the unlikely hero of Helen Simonson's wondrous debut. Wry, courtly, opinionated, and completely endearing, Major Pettigrew is one of the most indelible characters in contemporary fiction, and from the very first page of this remarkable novel he will steal your heart. The Major leads a quiet life valuing the proper things that Englishmen have lived by for generations: honor, duty, decorum, and a properly brewed cup of tea. But then his brother's death sparks an unexpected friendship with Mrs. Jasmina Ali, the Pakistani shopkeeper from the village. Drawn together by their shared love of literature and the loss of their respective spouses, the Major and Mrs. Ali soon find their friendship blossoming into something more. But village society insists on embracing him as the quintessential local and her as the permanent foreigner. Can their relationship survive the risks one takes when pursuing happiness in the face of culture and tradition? CONVERSATION STARTERS In the outset of Major Pettigrew’s Last Stand, the Major is described as feeling the weight of his age, but on page 320, the morning after his romantic evening with Mrs. Ali at Colonel Preston’s Lodge,  Simonson writes that “a pleasant glow, deep in his gut, was all that remained of a night that seemed to have burned away the years from his back.” Love is not only for the young and, as it did the Major, it has the capacity to revitalize. Discuss the agelessness of love, and how it can transform us at any point in our lives.   A crucial theme of Major Pettigrew’s Last Stand is that of obligation. What are the differences between the Pettigrews’ familial expectations and those of the Alis’?  What do different characters in the novel have to sacrifice in order to stay true to these obligations? What do they give up in diverging from them? Major Pettigrew clings to the civility of a bygone era, and his discussions with Mrs. Ali over tea are a narrative engine of the book and play a central role in their burgeoning romance. In our digital world, how have interpersonal relationships changed? Do you think instant communication makes us more or less in touch with the people around us? Much of the novel focuses on the notion of “otherness.” Who is considered an outsider in Edgecombe St. Mary? How are the various village outsiders treated differently? First impressions in Major Pettigrew’s Last Stand can be deceiving. Discuss the progressions of the characters you feel changed the most from the beginning of the book to the end.  The Major struggles to find footing in his relationship with his adult son, Roger. Discuss the trickiness of being a parent to an adult child, and alternatively, an adult child to an aging parent. How does the generation gap come to impact the relationship? Major Pettigrew and Mrs. Ali connect emotionally in part because they share the experience of having lost a spouse, and in part because they delight in love having come around a second time. How do you think relationships formed in grief are different from those that are not? For Major Pettigrew, the Churchills represent societal standing and achievement, as well as an important part of his family’s history. However, as events unfold, the Major begins to question whether loyalty and honor are more important than material objects and social status. Discuss the evolving importance of the guns to the Major, as well as the challenge of passing down important objects, and values, to younger generations.	THE PARIS WIFE by Paula McLain Trade Paperback, 400 pages $29.00 USD ISBN: 978-0-345-52130-9   SUMMARY A deeply evocative story of ambition and betrayal, The Paris Wife captures a remarkable period of time and a love affair between two unforgettable people: Ernest Hemingway and his wife Hadley. Chicago, 1920: Hadley Richardson is a quiet twenty-eight-year-old who has all but given up on love and happiness—until she meets Ernest Hemingway and her life changes forever. Following a whirlwind courtship and wedding, the pair set sail for Paris, where they become the golden couple in a lively and volatile group—the fabled "Lost Generation"—that includes Gertrude Stein, Ezra Pound, and F. Scott and Zelda Fitzgerald. Though deeply in love, the Hemingways are ill prepared for the hard-drinking and fast-living life of Jazz Age Paris, which hardly values traditional notions of family and monogamy. Surrounded by beautiful women and competing egos, Ernest struggles to find the voice that will earn him a place in history, pouring all the richness and intensity of his life with Hadley and their circle of friends into the novel that will become The Sun Also Rises. Hadley, meanwhile, strives to hold on to her sense of self as the demands of life with Ernest grow costly and her roles as wife, friend, and muse become more challenging. Despite their extraordinary bond, they eventually find themselves facing the ultimate crisis of their marriage—a deception that will lead to the unraveling of everything they've fought so hard for. A heartbreaking portrayal of love and torn loyalty, The Paris Wife is all the more poignant because we know that, in the end, Hemingway wrote that he would rather have died than fallen in love with anyone but Hadley. CONVERSATION STARTERS   In many ways, Hadley's girlhood in St. Louis was a difficult and repressive experience. How do her early years prepare her to meet and fall in love with Ernest? What does life with Ernest offer her that she hasn't encountered before? What are the risks? Hadley and Ernest don't get a lot of encouragement from their friends and family when they decided to marry. What seems to draw the two together? What are some of the strengths of their initial attraction and partnership? The challenges? The Ernest Hemingway we meet in The Paris Wife—through Hadley's eyes—is in many ways different from the ways we imagine him when faced with the largeness of his later persona. What do you see as his character strengths? Can you see what Hadley saw in him? The Hemingways spontaneously opt for Paris over Rome when the get key advice from Sherwood Anderson. What was life like for them when they first arrived? How did Hadley's initial feelings about Paris differ from Ernest's and why? Throughout The Paris Wife, Hadley refers to herself as "Victorian" as opposed to "modern." What are some of the ways she doesn't feel like she fits into life in bohemian Paris? How does this impact her relationship with Ernest? Her self-esteem? What are some of the ways Hadley's "old-fashioned" quality can be seen as a strength and not a weakness? Hadley and Ernest's marriage survived for many years in Jazz-Age Paris, an environment that had very little patience for monogamy and other traditional values. What in their relationship seems to sustain them? How does their marriage differ from those around them? Pound's and Shakespeare's? Scott and Zelda's? Most of The Paris Wife  is written in Hadley's voice, but a few select passages come to us from Ernest's point of view. What impact does getting Ernest's perspective have on our understanding of their marriage? How does it affect your ability to understand him and his motivations in general? What was the role of literary spouses in 1920's Paris? How is Hadley challenged and restricted by her gender? Would those restrictions have changed if she had been an artist and not merely a "wife"? At one point, Ezra Pound warns Hadley that it would be a dire mistake to let parenthood change Ernest. Is there a nugget of truth behind his concern? What are some of the ways Ernest is changed by Bumby's birth? What about Hadley? What does motherhood bring to her life, for better or worse? One of the most wrenching scenes in the book is when Hadley loses a valise containing all of Ernest's work to date. What kind of turning point does this mark for the Hemingway's marriage? Do you think Ernest ever forgives her? When the couple moves to Toronto to have Bumby, Ernest tries his best to stick it out with a regular "nine-to-five" reporter's job, and yet he ultimately finds this impossible. Why is life in Toronto so difficult for Ernest? Why does Hadley agree to go back to Paris earlier than they planned, even though she doesn't know how they'll make it financially? How does she benefit from supporting his decision to make a go at writing only fiction? Hadley and Ernest had similar upbringings in many ways. What are the parallels, and how do these affect the choices Hadley makes as a wife and mother? In The Paris Wife , when Ernest receives his contract for In Our Time, Hadley says, "He would never again be unknown. We would never again be this happy." How did fame affect Ernest and his relationship with Hadley? The Sun Also Rises is drawn from the Hemingways' real-life experiences with bullfighting in Spain. Ernest and his friends are clearly present in the book, but Hadley is not. Why? In what ways do you think Hadley is instrumental to the book regardless, and to Ernest's career in general? How does the time and place—Paris in the 20's—affect Ernest and Hadley's marriage? What impact does the war, for instance, have on the choices and behavior of the expatriate artists surrounding the Hemingways? Do you see Ernest changing in response to the world around him? How, and how does Hadley feel about those changes? What was the nature of the relationship between Hadley and Pauline Pfeiffer? Were they legitimately friends? How do you see Pauline taking advantage of her intimate position in the Hemingway's life? Do you think Hadley is naïve for not suspecting Pauline of having designs on Ernest earlier? Why or why not? It seems as if Ernest tries to make his marriage work even after Pauline arrives on the scene. What would Hadley it have cost Hadley to stick it out with Ernest no matter what? Is there a way she could have fought harder for her marriage? In many ways, Hadley is a very different person at the end of the novel than the girl who encounters Ernest by chance at a party. How do you understand her trajectory and transformation? Are there any ways she essentially doesn't change? When Hemingway's biographer Carlos Baker interviewed Hadley Richardson near the end of her life, he expected her to be bitter, and yet she persisted in describing Ernest as a "prince." How can she have continued to love and admire him after the way he hurt her? Ernest Hemingway spent the last months of his life tenderly reliving his first marriage in the pages his memoir, A Moveable Feast. In fact, it was the last thing he wrote before his death. Do you think he realized what he'd truly lost with Hadley?
THE HUNGER GAMES by Suzanne Collins Trade Paperback, 384 pages $8.99 USD ISBN: 9780439023528   SUMMARY In the ruins of a place once known as North America lies the nation of Panem, a shining Capitol surrounded by twelve outlying districts. Long ago the districts waged war on the Capitol and were defeated. As part of the surrender terms, each district agreed to send one boy and one girl to appear in an annual televised event called, "The Hunger Games," a fight to the death on live TV. Sixteen-year-old Katniss Everdeen, who lives alone with her mother and younger sister, regards it as a death sentence when she is forced to represent her district in the Games. The terrain, rules, and level of audience participation may change but one thing is constant: kill or be killed.	LIVING SINGLE by Holly Chamberlin Trade Paperback, 384 pages $9.95 USD ISBN: 9780758275400 SUMMARY From Holly Chamberlin, author of Tuscan Holiday and Summer Friends, comes a witty, insightful novel chronicling a year in one woman’s quest to find love, joy—and herself… At twenty, singlehood is a lifestyle choice. At thirty-two, it starts to feel like an affliction. Erin Weston has a rewarding PR career, loyal friends, and a wonderful Boston condo. But in between weekend brunches, farmers’ market forays, and dinners in Cambridge and the South End, Erin can’t shake the sense that something’s missing. The traditional ideal—husband, house, clothing-coordinated children—once seemed too obvious, and pride in her accomplishments doesn’t keep the loneliness at bay. Now, ready to venture into uncharted territory, Erin is going to claim the life she thinks she wants. And in the process, she might just figure out exactly what—and who—she really needs…	TIES THAT BIND by Marie Bostwick Trade Paperback, 352 pages $15.00 USD ISBN: 9780758269287 SUMMARY In her compelling, beautifully crafted novel, New York Times bestselling author Marie Bostwick celebrates friendships old and new—and the unlikely threads that sometimes lead us exactly where we need to be… Christmas is fast approaching, and New Bern, Connecticut, is about to receive the gift of a new pastor, hired sight unseen to fill in while Reverend Tucker is on sabbatical. Meanwhile, Margot Matthews’ friend, Abigail, is trying to match-make even though Margot has all but given up on romance. She loves her job at the Cobbled Court Quilt Shop and the life and friendships she’s made in New Bern; she just never thought she’d still be single on her fortieth birthday. It’s a shock to the entire town when Phillip A. Clarkson turns out to be Philippa. Truth be told, not everyone is happy about having a female pastor. Yet despite a rocky start, Philippa begins to settle in—finding ways to ease the townspeople’s burdens, joining the quilting circle, and forging a fast friendship with Margot. When tragedy threatens to tear Margot’s family apart, that bond—and the help of her quilting sisterhood—will prove a saving grace. And as she untangles her feelings for another new arrival in town, Margot begins to realize that it is the surprising detours woven into life’s fabric that provide its richest hues and deepest meaning…